Intervenants : Clément Cousin (Université catholique de l’Ouest)

Intervenants : Arrah-Marie Jo (IMT Atlantique)

Intervenants : Pierre-François Darlas (Telecom Paris)

Intervenants : Amaury Brandenburg (Université de Rennes), Arrah-Marie Jo (IMT Atlantique), Thomas Letexier (Université de Rennes) et Eric Malin (Université de Rennes)

Intervenants : Kevin Mellet (Sciences Po) et Thomas Beauvisage (Orange)

Intervenant: Maxence Christelle (Université de Picardie Jules Verne)

Dans le cadre du cycle des Mardis de l’égalité. Selon le rapport de la fondation Abbé Pierre paru au mois de février 2023, ce sont aujourd’hui plus de 4,1 millions de personnes qui sont considérées comme mal-logées en France et 12 millions de personnes touchées de près ou de loin par la crise du logement (copropriétés en difficulté, locataires en impayés, surpeuplement modéré, personnes en situation de précarité [...]

Dans le cadre du cycle des Mardis de l’égalité et du focus sur le désir Cette conférence s’appuie sur le travail de longue haleine de deux historien·nes : Pierre Fournié et Fanny Bugnon ont exploré les cartons des archives nationales et départementales pour retrouver les traces de la sexualité des Français·es depuis la fin du Moyen Âge. Iels dévoilent des documents exceptionnels et inédits sur les tabous de la société [...]

Perspectives Nicolas Larrousse, Huma-Num (France) Philippe Effantin, Ouest-Valorisation (France) Arthur Lezer, Le Lab, INA (France) Susan Brown, University of Guelph (Canada) Clarisse Bardiot, Université Rennes 2 (France)

The Linked Infrastructure for Networked Cultural Scholarship (LINCS): Bridging the Research/Heritage Collection Gap Susan Brown and Kim Martin, University of Guelph (Canada) Culture operates increasingly as data, as does scholarship. While GLAM institutions create highly standardized and generalized metadata for their collections, scholars embed deep knowledge of those items within collections through their research. Web annotations, via the Web [...]

AI Toolkits for the Social Sciences and Humanities: A Closer Look at ModOAP, BaOIA, EyCon, and PictorIA Julien Schuh, Université Paris Nanterre (France) The exploration of vast digital archives, now increasingly accessible due to the digitization policies of numerous heritage institutions, poses a unique challenge. This communication offers an insight into a series of projects deploying AI toolkits to transform the management, analysis, and [...]

Chair: Servanne Monjour Luca Federico Cerra and Sean Takats, Université du Luxembourg (Luxembourg) This paper examines the annotation practices behind DHARPA (the Digital History Advanced Research Accelerator project) and its innovative data orchestration tool, kiara. By focusing on the importance of annotation across various stages of research, kiara aims to enhance transparency and traceability in humanities research. Kiara’s design draws [...]

Curating Born-Digital Archives at the National Library of France: the Amos Gitai collection’s Case Study Rime Touil, Bibliothèque nationale de France (France) In 2018, the Performing Arts Department of the National Library of France received an exceptional donation from director Amos Gitaï comprising his entire physical and digital archives surrounding his film Rabin, The Last Day (2015). Representing almost 19 TB of data including [...]

TV as Cultural Heritage: Exploring Multimodal Approaches Lauren Tilton, University of Richmond (USA) The talk will explore text, image, and sound analysis of TV sitcoms. As syndicated TV becomes understood as a form of cultural heritage, institutions and researchers are looking more closely at how to access and study these popular culture forms through computational methods. We will look at some initial multimodal explorations and discuss future [...]

VR and AR Prototypes for Multi-sensory and Haptic Forms of Documentation and Archiving of Digital Art (LeFo Project) Marie-Claude Poulin, University of Applied Arts Vienna (Austria) The presentation introduces the development of virtual and augmented reality prototypes designated as a « Virtual Meta-Set » for three existing digital art installation/performance works and their processual artifacts. These are designed to simulate and [...]

Coding the Encoder: Situating Subjective and Contextual Aspects in High-Level Image Annotations Delfina Sol Martinez Pandiana, Università di Bologna (Italy) The talk explores the assignment of subjective high-level annotations to visual data in computer vision pipelines. It addresses how this annotated data is utilized to train AI models, highlighting the common lack of situational context, and the biases introduced. The talk describes the [...]

Chair: Jacob Hart Melvin Wevers, University of Amsterdam (Netherlands) In the ever-evolving landscape of Digital Humanities (DH), research methodologies predominantly centered on textual data. However, the advent of deep learning revolutionized this scope, enabling the automated analysis and labeling of visual materials. Despite their capabilities, these early methods demanded extensive training datasets. The landscape saw another transformation [...]

IIIF, a Standard for Multimodal Corpora? The Building of SCENE Clarisse Bardiot and Jacob Hart, Université Rennes 2 (France) Following literature genetic criticism, performing arts studies developed since the 1990’s performance genetic analysis, shifting the research focus from the work to its creative process. In this new research field, scholars long directed their effort to participant observation of rehearsals. Digital traces, often [...]

From Source Annotation to Scientific Publishing: the PENSE and PerVisum Projects Jean-Christophe Carius and Chloé Pochon, INHA (France) Encoding Sources and « Textovisual » Annotation Using examples drawn from the development of the PENSE platform, we will present a synthesis of lessons learned in our approach to the encoding of historical sources in art history, and more specifically to the enrichment of textual and visual historical [...]